Carpentier approaches the Haitian Revolution through Cuban literary imagination, while Cabrera Infante records a many-voiced nocturnal Havana. Lezama Lima’s baroque language explores memory, coming of age and desire. Arenas recounts the costs of political and sexual repression. Padura and Havana-born Cristina García extend the picture to Stalinism, exile and families divided by revolution.
Sources on authors and their connections to this country. Specific edition details appear beside each book. Polish and English originals are not labelled as translations.